Saisei (regeneration) by Kanako (linsui) Shirakawa

Features

ARTIST NOTES: I always wanted to create something with patterns of solid Sumi ink. You can control the thickness of the ink, textures, and colours when you make your own. I wanted to express the delicate and fascinating regeneration ability of the trees with the grayish colour of ink. - This artwork is created on watercolour paper with solid Sumi-ink, and thin calligraphy brushes specially sent from Japan. Signed with my calligraphy pseudonym (Gagou) and stamped with my Gagouin (calligraphy pseudonym stamp) to finish.

DIMENSIONS (Height - 41.80 cm X Width - 31.80 cm )
MEDIUM ON BASE Ink on Paper
GENRE Other
REGISTERED NRN # 000-44112-0146-01
COPYRIGHT © Kanako (linsui) Shirakawa
PRIZES AND AWARDS No Awards

 

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Artist: Kanako (linsui) Shirakawa



ARTIST BIO

Hi, everyone:) Thank you for visiting my profile.
I grew up in a small town in west Japan surrounded by beautiful rice fields and mountains.
I started learning calligraphy when I was six years old.
While I was a primary school student, I participated in local calligraphy and association art competitions/shows and won a few association grand prizes.
After I moved to Kobe city to study at university, I worked as a Japanese /English /Abacus teacher at a cram school.
During the time I was working there, I first met my current calligraphy master (sensei).
Since I wanted to become a Grand Master Calligrapher, I restarted learning it.
I have 17 years of experience with proper training by two Japanese Certified Grand Masters and have been working on calligraphy assignments to participate in monthly association competitions in calligraphy.
I was so grateful to have an opportunity to show my artwork at the Calligraphy Association exhibition in Japan in 2023.

Calligraphy is my passion, a way of expression and meditation, and a source of reminiscing about my home country.

- Calligraphy is Japanese traditional line art created on Washi paper with Sumi-ink and brushes.
We believe calligraphy was brought into Japan from China between the sixth and seventh centuries, during the Asuka era through the Nara era.
Starting with transcribing the sutra (the original form of calligraphy done with a thin brush) came with Buddhism. Production of calligraphy brushes and washi paper began at the same time.
Calligraphy used to be one of the essential skills for the Samurai and the aristocracy.
With the change of the times, as other cultures and art, it spread to ordinary people.
Calligraphy school and school calligraphy education helped to introduce its enjoyment to children to preserve our culture and pass it on to the next generation.
It is rooted deeply in Japanese culture and used on ceremonial occasions and for the first calligraphy of the year.

2024 
Thick brush Kanji writing (Associate Grand Master Calligrapher/ Jun-Shihan) 
Kanji classical literature writing with observing examples (Associate Grand Master Calligrapher/ Jun-Shihan) 
Kanji and Kana mix Thin brush writing (Japanese Certified Grand Master Calligrapher/ Shihan) 
Kanji and Kana mix pen writing (Japanese Certified Grand Master Calligrapher/ Shihan) 


*Dan-degree comes after ten steps of the Kyu degree. It shows a similar meaning to holding a black belt for Karate. It works up from 1st to 7th, then Associate Grand Master (Jun-Shihan) degree comes before the final grading of the Grand Master (Shihan) degree in my calligraphy association. The system could be various depending on which association you are learning.